OEI #86–87: Publishing Practices, Publishing Poetics, contribution 2020
Welcome to the release of OEI, #86–87: Publiceringspraktiker, publiceringspoetiker / Publishing Practices, Publishing Poetics, an issue for which I have written a text about the clip archive collected by artist and writer Ottilia Adelborg (1933-1936), at the beginning of the 20th century.
Please see more details about the release and issue below.
Thursday March 5: release of OEI # 86–87: publishing practices, publishing poetics (640 pages, ed. Jonas (J) Magnusson & Cecilia Grönberg) at Index – The Swedish Contemporary Art Foundation. Please join us at Index for an evening on publishing practices & publishing poetics at the occasion of the release of the new 640 page issue of OEI, # 86–87.
Bringing together contributions from circa 130 publishing structures, publishing communities, magazines, small press endeavors, artists, poets, writers, editors, theoreticians, curators, scholars, and art bookstores, OEI # 86–87 reflects upon the challenges, pressures and possibilities of publishing and creating publics in different contexts and places in a time of far-reaching – economical, medial, political, social, technological – transformations.
The potential and the versatility of publishing open it to a diversity of practices and approaches in the arts, but as an eminently social form of art, a collective or micro-collective work with shared responsibilities, it is also a never-ending process of “crafting a variegated approach to how you create, publish, distribute, and build a social ecosystem around your efforts”, of trying to “build up and strengthen the community around these printed forms” (Temporary Services).
It is the conviction of OEI #86–87 that print has the power to play an important part in the construction of social spaces, of a social world. As Benjamin Thorel puts it in one of the essays in the issue, “conceiving of the dynamics of publishing as making publics as well as making things public is not a pun – insofar as the artists/publishers encompass, beyond the book itself, its possible ‘lives’, imagining the different spaces, and the different people, amongst whom a publication will circulate.” This is what Michael Warner has called “a public [as] poetic worldmaking”, implying “that all discourse or performance addressed to a public must characterize the world in which it attempts to circulate, projecting for that world a concrete and livable shape, and attempting to realize that world through address.”
This is also, as stressed by Annette Gilbert and others, what can make publishing such an active force, a force co-constituting texts and publications and publics. Indeed, with Michalis Pichler, it is tempting to say that in publishing as practice – perhaps more than in any other art field – “artists have been able to assert the aesthetic value of their own socio-politically informed concerns and to engage, often under precarious conditions, in cultural activities fully aligned with their political values.”
OEI #86–87 also includes sections on and with contemporary poetry from Canada; Fluxus publishing; Krister Brandt/Astrid Gogglesworth; Kalas på BORD (Öyvind Fahlström); Lars Fredrikson; Claude Royet-Journoud’s poetry magazines; Carl Einstein; Gail Scott; Ållebergshändelser; OEI #79: edit/publish/distribute!; “det offentligas försvinnande”. At Index a number of publishing projects, artists and writers – Art Distribution, Dark Mountain (Dougald Hine), Det Grymma Svärdet, Dockhaveri, OEI, Rab-Rab, STYX, and Carla Zaccagnini – will present their publishing practices and discuss their publishing poetics and publishing ecologies. Language: Swedish and English
Subscribers are welcome to pick up their copies.
Thursday March 5
6.30 – 9.30 PM
Index – The Swedish Contemporary Art FoundationKungsbro Strand 19, Stockholm